Adaptation of Traditional Hand-Woven Patterns in the Production of Akan (Twi) Philosophical Designs for Resist-Dyed Fabrics

Abstract

The struggle for originality by craftsmen has subsequently resulted in the diversity of patterns, designs, and techniques on a loom in arriving at various traditional hand-woven products. These numerous techniques are principally aligned with the loom indicating the sole avenue for the creation of these patterns. This project sought to adapt and produce resist-dyed fabrics of Ghanaian traditional hand-woven patterns. The main objective of the project was to explore an alternative method of producing these patterns other than weaving and subsequently to promote its marketing in terms of variety. The studio-based research method under the qualitative research approach was used to adapt, design, and produce fabrics which mimic traditional hand-woven fabrics commonly using the batik technique. The study resulted in eight (8) resist-dyed fabrics depicting popular kente patterns. The designs are Obaakofo Mmu Man (One person does not rule a nation), Abusua Ye Dom (The extended family is a force), Sika Futuro (Gold dust), Atitire (Dignitaries), Aberewa Bene (Old woman Bene), Damedame (Checkered pattern), Kyemee (Endowed) and Fathia fata Nkrumah (Fathia befits Nkrumah). The approach is recommended to textile practitioners especially within the dyeing fraternity to create variety and maximize surplus.